thoughts and decisions for a creative edge


Bungee Jumping + Hexacopter


NIN 1,000,000

Something from the lost files..

WatchBot Hack

So you fell into that groupon deal for this surveillance camera. Camera worth €240 going at €45, who’d wanna miss that. But now you found out the camera doesn’t allow WPA encryption. And the annoying GnG advert URL creeps on you whenever you’re on the Browser UI. Let’s iron those out shall we?

You’d need to do this 2 things to upgrade the cam..

1. Flash cam with compatible Apexis cam firmware
2. Update to Foscam’s latest UI


Download Apexis J802-WS firmware It allows the use of both unencrypted and WPA2-TKIP+EAS instead of just WEP encryption on Watchbot’s crippled firmware.

What’s bizarre, Apexis use to distribute their firmware. This is the direct link to it from their website: Apexis firmware J011 J802 J803 firmware_17_37_2_41.bin.

After flashing the FW you can reconfigure necessary port forwarding and Wireless LAN setup within your network router and camera settings. The camera should work wirelessly but lets toss that ugly Watchbot UI especially that cheesy Gadget&Gift advert. You already paid them your dues with the camera purchase.

Download Foscam latest UI from FI8918W’s latest update link.
– unpack the zip file and keep only the UI.bin
* ShenZhen Foscam firmware source

The rest is pretty much self explanatory..

ENJOY your new browser-free UI with latest and best working drivers with your Watchbot!

*** Fair warning – do this at your own risk. Im not responsible for you. ***

Wij zijn toch niet gek!

Have you met Cinemagram yet?

If you been reading my blog, you’d know I love creating cinemagraphs. It’s basically a still picture laid in front of a short frame of video looped behind an area of exposed mask. Not too sure if you can make any sense out of that. But if you Google on the subject on creating Cinemagraphs you’d probably understand the lil painstaking process of creating this modern-day gif animations. But not until recently..

New life from an old bike..

Pink Project shot with 550D in HD then frame selected in PS CS5 Ext

Now there’s an app to feed myself further into this subtle art of emphasizing motion within a momentary period. Cinemagram allows you to create gifs right out of your iPhone. Yep. No computer needed. The app has yet to be polished but its basic function works a charm. It’s so awesome that by the time you read this there’s almost 400,000 cinemagrams created within a week from it’s date of release with version 1.

Below are examples of cinemagrams I was able to create in matter of minutes. Compare that to possibly an hour spent for one like above using a DSLR camera and selected frames processed in Photoshop. Oh btw, they call it Cinemagram to compliment the ever famous and successful Instagram iPhone App. The developers are not related in any way. I think.

Basic fundamental of cinemagraphs uses a sequence of moving images kept at a minimum 15 frames for ideal playback when inserted to the web. Keeping the file small is key. Thanks to today’s fast processors and lightning fast internet speed, this modern-day GIF revelation is making a come back with a BANG!

Cinemagram seems to select up to 44 frames of the video that you shoot within the app. But the primary frame that you want to choose as the masking source is not selectable. I hope this would be updated soon in future updates. On default it uses the first frame of the selected video selection. Creating these cinemagrams is pretty simple:

  • Shoot the video of the subject you want to animate as steady as you can. I have my iPhone 4 in a KUNGL thus it’s always easy to set it up on a tripod of any sort. You can also use snapmountforiphone adapter or equivalent. From this video capture, only 2-3 seconds of the video would be used. Select the the In and Out point of your animated frames that’s to be used in the loop. Tap and Hold to zoom in. Press Play to preview the loop. When happy click SAVE and the video loop will be compressed for editing. I think Cinemagram compress the video into approximately 15 frames per second. But I’m not gonna do the maths..
  • You now can pinch zoom and finger paint (draw a mask) on the area that you want exposed, this selected space will reveal the looped video in background.
  • Once happy with your mask, you’re given the option to COLORIZE. The options currently available are : Raw, Xpro, Toaster, Redscale and B&W.
  • Let it render couple of seconds and you’re presented with the animated gif which is defaulted to play in Auto Reverse mode. This aids to create a smoother animation. If your video crop is smooth enough to be played in a continuous cycle like the bicycle wheel above, then you can turn off the Reverse function.

It’s tricky to make a seamless continuous cycle in cinemagram, the option to choose the specific 1st and last frame is still not made possible. Most I made have default Reverse mode turned on. I do have a looped example below with the Towards Europoort cinemagraph. But it’s a shame that this does not even show who created it, when, or how many people have liked or viewed it. These are key features on how to raise users (and developers) awareness and satisfactions I think. Below I’ve made the animation bigger as the ones used in Cinemagram browser link are pretty small at it’s original resolution. Bigger = Better 🙂 Right?

towards europoort Can you spot the 1st and last frame? Compare this with the seamless GIF of the bicycle wheel above.
Try viewing it in the Original Link. Bigger is better right? 🙂

coca colaWith REVERSE mode ON: You barely see that the drink is pouring OUT.. and then pouring IN. Original Link.

Do Not Disturb My sleeping tiger. Original Link


  • Easy to create short cinemagraphs.
  • With 3G network or WiFi, you can share links to Twitter, Facebook & Tumblr.
  • Great way to discipline and focus on details you want emphasized while shooting video / picture.
  • HTML EMBED code to help share your Cinemagram in a blog.
  • Cinemagraph tool in your pocket. Hard to beat that.
  • Costs $1.99 with compatible iPhone. No need for external frame editor / computer.
  • Induce creative fun. Totally addictive.


  • Cannot import from video from Camera Roll Library
  • Cannot add Hashtags or add Comments
  • Limited to sharing on Twitter, Facebook and Tumblr
  • You don’t get notified if anyone Liked or Shared your Cinemagram 😦
  • There is no FOLLOW or SUBSCRIBE option
  • No search option via Title or Tag for cinemagrams already created

Cinemagram App costs $1.99 on iTunes and brings further addiction and anti-socializing when you have your iPhone with you in public. But yea, they’ll understand why when they see your masterpiece. Mail me your’s when you’re done!

For an interesting PBS short about GIFs and its modern uses in Cinemagraph check this video.

RED cam in Indonesian Music Video “Behind The Scars”

Fandi Ahmad’s return in Groningen

I can’t take any credits for this. The idea came about when friends in Singapore asked what the commentator was saying.. Real fans, especially those in Singapore, Malaysia and Indonesia might have watched it but not understand the commentators report. The whole coverage was in Dutch. Thus all it really needed was English subtitles.

I hope I didn’t make many errors with the translation. I tried the best I could to make better sense of this much viewed report from 2010 from both RTV Noord and FC Groningen’s TV.

After a couple of week’s upload and getting 900+ viewings to date, I think I might have helped hundreds to understand what a real hero our football legend is when it comes to goal scoring in his career’s peak.

This one is for you Fandi. And all your fans. Enjoy!

Learning process of shooting 3 point music video..

I have never tried making promo video from a LIVE band performance. And I never thought it would be this tricky, but I am glad I took up that challenge. It introduces new challenges, a steep learning curve that requires me to apply all that I have learnt from audio recording and video editing into one project that I am keen to finish.

Preparation before the shoot is vital. Reliable working equipments that would deliver good audio and video is key. A general direction on how the finished video should look like also plays an in important factor. This would determine the gears to bring and the angle of shots you’d need to capture which means possibly less editing in post.

What I think is most important is the ability to communicate with the band on and off stage. To be able to communicate with the band on set, upon your 1st minute of introduction is crucial to let them open up to you later on while they’re on stage, while you’re behind the lens. They are after all the talents that the whole project will showcase. You want them natural in camera, not feel intimidated, or even worse, agitated with your presence around their performance area.

Thank goodness I have a real friendly team of people to work with for this shoot. I have known 2 of the band members for a very long time. Both are very deeply involved in sculpting Dutch pop music, one which I got to know whilst living in NYC, the other at recording studios here in Amsterdam for my graduation project in SAE. Both this gentlemen are well-honored for their work and I have that standard to uphold for this project. I want to make the band look at their best. Nothing more nothing less.

It is no doubt the first LIVE band that I will record and I certainly need extra hands for a 2nd or 3rd angle of view. I remembered instantly a previous edit I did with camera shots collaborated from Dajimstar. He’s fresh into DSLR video, and he shows that same passion with photography and has that creative edge to learn. We shot Gwaan back in spring of 2010. That was a wild party from local party connoisseurs Sized. I simply asked Dajimstar if he wanted to make a copy of his shots to be used as 2nd camera angle in the edit. And there it began.

Unlike Gwaan, this project consists of a 3 set performance for the evening from the band Company Live. Each in a 45 minutes session thus it’s a long evening of trying to catch good moments.

We have over 90 mins of HD footage captured between the three cameras altogether. Now it’s time to narrow it down to highlight the best ones we got and also based on the bands preference. This one is a full length feature on one of the songs they performed that night. Excuse the cheesy floating logo on the screen. It was a quick try out using motion after I made a quick update of the band’s logo. Certainly could use some creative advise on that one. 🙂

So this was put together in a short period. It will be updated once the festive season is off our way. 🙂

Ladies and gentlemen, highlight to the band, Company LIVE.

3 Camera edit in FCP
Nikon D300S with 50mm F1.8 / 17-85mm F4.0
Canon 550D with 24mm F1.4 / 50mm F1.4 / Samyang 8mm F3.5
JVC GZ-HD7 shooting 1080i at 30fps
Røde Stereo Video Mic
Glidetrack HD